374. Chernobyl Prayer

251

About         

Author: Svetlana Alexivich (Belarus)
Genre: History  

Setting                                            

Place: Chernobyl, Ukraine, Belarus
Time: 1980s

My Rating (see what this means)   

My Subjective Rating:  4
My ‘Objective’ Rating:  3.21


Introduction

I was never really tempted to watch the Chernobyl television series despite the extremely great reviews and high praise. That was not surprising as I generally find myself unable to watch anything ‘gore-plus’ and I imagine radiation sickness to fit that bill. I anyway knew the crux about Chernobyl.

So, I wasn’t immediately tempted to pick up Svetlana Alexievich’s book ‘Chernobyl Prayer’ when I was trying to find writers from Belarus. Her Nobel prize certainly made me pause. And it was her unique approach to writing history – ‘trying to map the psychobiography of a nation’ that made me finally pick the book

It was, as expected, an extremely uncomfortable ride – and I was glad that I took it.

Review

A unique approach to writing history

Never during the entire book does the author address the reader directly. She isn’t trying to explain anything, let alone convince the reader about anything – be it then the dangers of nuclear power or the corruption of Soviet authorities or the hollowness of the Communist system. She is just making sure the voices of Chernobyl people are heard. And the readers can judge for themselves. 

Chernobyl prayer is a unique type of non-fiction and I found it tricky to classify*. It is autobiographical in the sense that tens of the tragedy’s victims are telling their stories and sharing their experiences – but it has a very wide breadth of voices for it to be conventionally biographical. Moreover, the book cannot be neatly classified as expository either as there wasn’t any editorial guidance for the reader to classify as the book as informative, explanatory or argumentative.

This unique approach had its fair share of shortcomings (Explaining the gap between my subjective and objective scores)

  1. Unclear structure: The countless worthy-to-be-heard voices that the narrator shares are put in a format that I didn’t find discernible. And was occasionally repetitive.
  2. Ommisions: The book covers a wide breath of voices of people impacted by Chernobyl – but never explains which were chosen and why or why not?
  3. Lack of context: While we hear the voices of several groups of peoples – firefighters, clean-up workers, scientists etc. we never really get a proportion of people affected.
    At least in once cases, one of the victims of the tragedy, possibly from an honest belief, made a claim which might not be scientifically robust. While existence of such beliefs is a fact, the author/editor can always add context – even as footnotes to prevent inaccurate impressions for the readers. 

* How I classify non-Fiction? 

I classify non-fiction books that I read into 2 broad categories –

  1. Exposition / Persuasion – books that are infomattive, explanatory or argumentative 
  2. Narrative/Biographical – Books that a recounting a life or a life-story

And for each group I have a seperate list of parameters to ‘objectively’ score them 

A wonderful approximation of real life

None of these shortcomings however take anything away from the book. Alexievich never claims to be a journalist or historian. “I’ve been searching for a literary method that would allow the closest possible approximation to real life.” And Chernobyl prayer is a marvellously brutal approximation of real life – and it covers all ways to deal with a tragedy – including humour – 

  • I’ll tell you a joke. The government issues an edict about benefits for Chernobyl victims. Anyone living within twenty kilometers will be addressed as ‘O Beaming One’. Anyone within ten kilometers will be addressed as ‘O Radiant One’. And anyone right near the plant who survived, ‘O Luminous One’. See, O Radiant One, we’re alive. Ha ha.
  • In the winter, an old man hung up a calf’s carcass he’d cut up in the yard. Just then, they came along with some foreigners. ‘What are you doing, old man?’ ‘Letting the radiation out.’

And the final little ‘In Place of an Epilogue’ closing of the book makes for a perfect ending leaving the reader wondering whether it reflects humanity’s resilience or their cynicism

Picture Credits:

  1.  Chernobyl, a Netflix series
  2. https://www.thetutorteam.com/history/write-an-a-grade-history-essay/

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